Tag Archives: banjo
After being assured that receiving a Lifetime Achievement Award doesn’t necessarily mean your lifetime is over, I was pleased to accept a LAW from Youth Specialties at their recent San Diego National Youth Workers Convention. From what I hear, this was the first of many that will be given to individuals who have contributed in some significant way to field of youth ministry. In my case, I co-founded the organization giving out the award, so I suppose that’s the secret to getting the first one! Regardless, it was a very special night for me and I am very grateful to the staff of Youth Specialties and all who contributed to making it happen. The presentation was captured on video and posted by Youth Specialties on YouTube as well as their web site.
After the presentation, several people said they were surprised to hear that I gave up a promising career in music to pursue youth ministry. Actually, that’s not quite true. I tried to explain it in the interview but I’m not sure I explained it very well. So let me explain it a little better here.
First, I was in youth ministry before I ever started playing music. In fact, it was youth ministry that prompted me to take up music in the first place. As a Youth for Christ staff member in the 60′s, I was trying to figure out how to reach kids for Christ. Folk music was pretty popular at the time, so several of us learned to play guitars and banjos and we formed folk groups. Our YFC rallies became “hootenannies” and believe it or not, they were pretty cool.
My first group was a folk trio with my wife Marci and another YFC staff member Dave Sheffel called “The Accidents.” That was in 1966. I played bass. Later, I learned banjo and formed a bluegrass group with my brothers and wife Marci called The Rice Kryspies. We recorded a couple of albums and played for churches, youth groups and two summers at Forest Home Christian camp. I really got into bluegrass music and my obsession with the banjo kept growing, but it was a hobby, a part-time thing while I was working for YFC and doing youth ministry in my church.
I was still playing with the Rice Kryspies AND doing youth ministry when Mike Yaconelli and I started Youth Specialties in 1968.
Then, in 1972, my wife Marci contracted pregnancy and she had to quit playing bass with The Rice Kryspies. My brothers and I continued along with two new members of the band, Ken Munds and Dave Rose. We changed the name of the band to Brush Arbor. After winning a local radio station talent contest, we were signed by Capitol Records and before long we were hearing our music played on country radio stations. One thing led to another and we ended up on the Grand Ole Opry, doing some network TV shows, touring with people like Johnny Cash and Marty Robbins (my favorite) and then winning a couple of country music awards including Vocal Group of the Year (Academy of Country Music). We had a manager by then and a booking agent, both of whom were expecting us to become the next big thing in country music. Capitol Records called us “The Voice of the New Country.”
All this happened very quickly and I have to admit, it was a whole lot of fun. But in December of ’73, while taping an NBC TV Special with Johnny Cash at Rockefeller Plaza in New York (on the same stage that later became the home of Saturday Night Live), I realized that I just couldn’t keep on playing with Brush Arbor. Our booking agent was telling us that he was going to put us on the road for over 300 dates per year. Youth Specialties was just getting some traction. My son Nathan was two years old and needed a daddy at home. I was torn between too many things and putting too much stress on my wife and partners in ministry. So I quit the band in New York. Our manager told us (while we were in New York) that he had booked us on the Hee Haw TV show and wanted us to fly to Nashville immediately to tape three shows. But I just couldn’t go. I had already made plans to go from New York to Atlanta to meet up with Mike Yaconelli and Denny Rydberg for a YS event.
So, I told the band I didn’t want to hold them back and they would need to replace me, which they eventually did. I played out a string of dates in Las Vegas in early 1974 but that was the end of my music career. Brush Arbor ended up going through a few more personnel changes after I left and while they never became the next big thing in country music, they had a good run and ended up being a top Christian country band. My brother Jim kept it going for quite a few years and they made some really good records.
I never felt like I gave up anything to do youth ministry because (1) youth ministry was what I had been called to do all along and (2) I was a very mediocre banjo player. I knew I would never make it as a professional musician. I would have starved to death.
But the time I spent with Brush Arbor (and since then, playing with other bands and doing my radio show) has been wonderful. I’m very blessed and thankful to God for all the opportunities that he has given me to do what I love to do.
I’ve been playing the banjo now for … let’s see, that would be 46 years … the same number of years I’ve been married. Yep, I bought my first banjo on my honeymoon. It was a Harmony banjo, made of plastic, which I bought at a pawn shop in L.A. We were on our way to Palm Springs (from Ventura County, where we were living at the time) and as I recall, Marci was OK with me buying the banjo with some of the money we were given at our wedding. We both were singing in a folk trio at the time called the Accidents (patterned somewhat after Peter, Paul and Mary) and we figured a banjo would be a nice addition if I could learn to play it.
And I did for the most part. Like most banjo players, I learned to play by listening to Earl Scruggs. There were other banjo players (Doug Dillard was one of my favorites) but as I soon found out, they all learned from Earl.
Earl passed away last week at the age of 88 and he was still making music well into his ninth decade of life. He won a Grammy award for best country instrumental performance at age 78.
HIs memorial service was held last Sunday afternoon at the Ryman Auditorium in Nashville, home of the Grand Ole Opry for so many years. I listened to a broadcast of it on the web and it was very moving. It’s amazing how many people were there to pay tribute.
If you would like to listen to my radio show honoring Earl Scuggs, you can listen online at www.kson.com/bluegrass.
Slacker Radio also asked me to program an Earl Scruggs tribute station and it is now available for listening at http://www.slacker.com/station/earl-scruggs-tribute.
Marci and I went to see Alison Brown last night at a local San Diego supper club called Anthology.
Yesterday’s San Diego Reader carried an interview with Alison which included a nice mention for my radio show:
“And I tuned in every Sunday night to Wayne Rice’s Bluegrass Special on KSON. He’s still on the air and probably has one of the longest running bluegrass radio shows in the country. So, as it turned out, San Diego was a great place to learn to play bluegrass, even though that might sound a little counterintuitive.
Alison grew up here in San Diego, then went to Harvard University where she majored in finance. She became an investment banker with Smith-Barney but later ditched her banking career for a stint with Alison Krauss and Union Station. She later formed her own group The Alison Brown Quartet, which is more jazz-oriented than bluegrass. She now owns her own successful record label with an impressive roster of artists.
Her show at Anthology was fantastic. Yesterday was Marci’s birthday and while Marci doesn’t usually allow banjos at her birthday parties, she made an exception for Alison, who wished her a happy birthday from the stage.
An interesting post from the Dallas Morning News religion blog:
“My grandfather had this conversion experience and went to West Virginia Wesleyan. He was kicked out of a church in 1919 for playing the banjo with the youth group. Obviously everybody knew the banjo was an instrument of Satan! … Beware the demon banjo.”
Funny, same thing happens to me all the time.