If you want a good excuse for a party this Tuesday, it’s Bill Monroe’s 100th Birthday. “The Father of Bluegrass” was born on September 13th, 1911. He passed away on September 9, 1996.

In case you aren’t familiar with Bill Monroe, you are most certainly familiar with the music he created. He was a singer and mandolin player from Kentucky who in 1939 formed an ensemble called the Blue Grass Boys (named to honor his home state) and after experimenting with various combinations of instruments and vocal styles, he found success with his legendary 1945 combo which included Lester Flatt on guitar, Earl Scruggs on the banjo, Chubby Wise on fiddle and Cedric Rainwater playing bass. The early recordings and performances by that band took the world of country music by storm and spawned dozens, then hundreds, and today thousands of bluegrass bands all over the world.

Bill Monroe wrote hundreds of songs and instrumentals which form the canon of bluegrass music today. He single-handedly established the mandolin as a solo instrument in American popular music. He was one of the early inductees into the Country Music Hall of Fame. He was the first inductee into the Bluegrass Music Hall of Fame, and he was also inducted into the Rock and Roll Hall of Fame. Many of the early rockabilly stars of the 1950’s like Buddy Holly, Johnny Cash, Carl Perkins and Elvis Presley were huge Bill Monroe fans. Presley’s first single was Bill Monroe’s “Blue Moon of Kentucky.”

Well, I could go on and on about Bill Monroe (“On and On” is the title of a Monroe song, by the way), but I’ll let you look him up on Wikipedia or something. I’m just honored that I had a chance to meet him and work with him on a few occasions. One of my prized possessions is a photo of him that he signed for me which hangs on my wall at home.

When I was in the band Brush Arbor, I’ll never forget the night in 1973 when we opened for Monroe at the world famous Palomino Club in North Hollywood. The room was packed with celebrities and many of my musical heroes at the time who had come to hear Monroe, not us. I remember seeing Clarence White of the Byrds sitting up close and Carl Jackson, who was playing banjo with Glen Campbell at the time. Backstage I chatted with Del Shannon who had hit songs like “Runaway” and “Hats Off to Larry.” Of course, the biggest thrill was hanging out with Big Mon himself, who was bluegrass music royalty. I remember just how kind he was to us despite the fact that we had drums and steel guitar in the band (a no-no to most bluegrass fans). He gave us an open invitation to play at any of his bluegrass festivals around the country. We did get to play at one of them.

L-R standing: Me, Ken Munds, Monroe, Dale Cooper, Joe Rice. L-R kneeling: Jim Rice, Dave Rose

When we took the stage at the Palomino, we kicked off with our version of “Proud Mary” which is really really fast. I kicked it off on the banjo and about four bars into the song, my thumb pick just popped off my thumb and flew out somewhere in the audience. I was stunned. Everyone looked at me like “what are you going to do now?” and I really didn’t know. My brother Jim grabbed a thumb pick out of his stash on stage and I was back in business right away and the song went on. But I broke into a flop sweat that just soaked my rhinestone-covered Nudie suit. Sooo embarrassing. I never got my thumb pick back.

Happy birthday Bill Monroe! Thank you for the amazing music you created which absolutely swept me off my feet almost 50 years ago as a teenager and which continues to bless my life in so many ways today. I thank God for you and remember you with deep appreciation on your centennial year.

If you would like to hear my radio show which I did Sunday night (9/11) to celebrate Bill Monroe’s 100th birthday, go to www.kson.com/bluegrass. It will be there for about a month so if you are reading this after October 15, you probably won’t be able to hear it.

Each month I try to feature a live bluegrass band on my radio program–usually whoever is appearing at the local San Diego Bluegrass Society’s 4th Tuesday event at the Boll Weevil Restaurant. I heard that a group from Orange County called the Wimberly Bluegrass Band was going to be appearing at the June SDBS event, so I wasn’t real sure if they would be coming down to appear on my radio show or not. I wasn’t familiar with them and I hadn’t heard anything directly from them (or the SDBS) to confirm their appearance on my radio show. So when I arrived at the radio station Sunday night, I wasn’t absolutely sure if anyone was going to show up.

But there they were! What a surprise to find this young, good looking group at the front door of the radio station ready to play! The Wimberly’s are a family group, three brothers and a sister ranging in age from 13 to 19 who are self-taught and have already recorded two CD’s. Mom and Dad accompanied the group to the studio and unlike many “stage parents” I’ve been around, they were extremely calm and content to let the youngsters speak for themselves and do their own thing. I was very impressed with them and wasn’t surprised at all to hear that they were home schooled. That certainly explained why they were so articulate and comfortable around an old codger like me, and how they developed a fondness for bluegrass and country music rather than what’s being marketed to the teen population these days.

If you would like to hear them on my show, visit the kson.com/bluegrass web site … it will be there for a month. They will also be appearing at many Southern California bluegrass events, so keep an eye and ear out for them. This is a group with a lot of appeal and I think they will have lots of success coming their way.

Just returned from another Huck Finn’s Jubilee in Victorville which is how I have spent Father’s Day weekend for the past 20 years or so. I have been involved with this event either as a performer with my band Lighthouse or as the main stage emcee or both.  I also serve as a consultant to the show’s producer (helping with talent selection) each year and I host the Sunday morning chapel service which is where my two worlds (ministry and bluegrass) collide in a big way.

The festival went great this year with a large turnout and great weather. The idea of going to Victorville in June sometimes scares people away because they think it’s going to be too hot. But we have had moderate temperatures and cool nights for several years in a row now. The music was wonderful with outstanding performances by the likes of Sierra Hull, Doyle Lawson and Quicksilver, Rodney Dillard (of the Dillards), NewFound Road and Roy Clark. It was also great to spend the weekend with my wife, daughter Amber, and our three grandkids Nick, Maddie and Jack. They all had a good time.

I’m always amazed and a bit conflicted that I get to live in two completely different worlds. Throughout most of the year, I’m a pastor, serving on a church staff, doing rather mundane (yet significant I hope) ministry tasks. But on a weekend like the one I just had, I’m not a pastor but a bluegrass music insider, radio personality, stage announcer, friend and colleague to some of the most talented musicians on the planet. I’m amazed by it all and grateful to God that I get to do this.

But I got a quick return to reality when I got home Sunday night. The water supply to our home had been shut off by our neighbor because of a pipe break at the water meter on the street. I spent all day Monday getting it fixed and somehow strained a muscle in my back in the process. But the repair was made, the water is back on and except for the sore back, life is pretty much back to normal. See you next year, Mr. Twain.

In my recurring posts of youth in bluegrass music, I present the The Mizzone brothers, Johnny, Robbie and Tommy from New Jersey. They range in age from 9 to 13 and call themselves the Sleepy Man Banjo Boys (from a verse in Psalms). Pretty amazing stuff.

This video clip seems to sum things up pretty well.

Slacker.com is a great internet radio station offering just about every genre of music for free, 24 hours a day.  I listen to it on my computer in my office and also on my phone (Android).

Slacker is based here in the San Diego area. They contacted me  several years ago and asked to serve as a music consultant for their bluegrass station.

From what I understand, that’s what makes Slacker different from other internet radio stations like Pandora. Each Slacker station is professionally programmed by someone who really knows something about the genre. It’s not programmed by a computer.

You can, however, create your own station by using Slacker’s computer. Just enter the name of your favorite recording artist and Slacker will create a customized radio station with music by your favorite plus others who are similar. You can skip songs you don’t want to hear or play songs over and over. It’s pretty cool.

Slacker is free, but the free version includes commercials. Pay a small fee and you can get rid of the commercials and do a few other things that you can’t do on the free version.

The bluegrass station is a sub-genre of Slacker’s “Country” station. Check it out and let me know what you think.

Here are a couple of other photos that were taken at our Shadow Mountain Community Church performance last weekend, shot by Irene Mount, from her seat in the audience.

Lighthouse, the bluegrass band I play in (occasionally) reunited for a couple of performances in December.

The first was at the North County Bluegrass and Folk Club in Escondido, an annual tradition for us. The people there are always so generous with their enthusiasm for our music, and this year they not only brought us back for an encore but bought us out of CD’s.  (Pity the poor souls who get a Lighthouse CD for Christmas!)  But it felt good to play a full set of music with my bandmates. It has actually been a year since we did that last. We only played twice all last year, once in my backyard for Easter and another short appearance at College Avenue Baptist Church in August.

Our second performance was at Shadow Mountain Community Church, part of their  annual “Shadow MountainChristmas” celebration/concert. We did three shows, performing one song titled “Follow the Light,” a Christmas song that I learned from the McLain Family Band about 35 years ago.  In the concert, we followed a mariachi band (a first for us I think) and enjoyed jamming with them backstage in the dressing room. They couldn’t speak English very well but the language of music seemed to connect us pretty well. I can now pick out a little “La Bamba” on my banjo.

All in all, playing with Lighthouse has been one of the bright spots for me this Christmas season so far.  This time of year seems to add so much stress and anxiety, with all the busyness and responsibilities that go with it (especially now that I’m on a church staff). But getting to play some music once again has brought some extra joy into the season for me.

What I need to do now is take some time to focus on the real source of our joy at Christmas, the child who came to us at Bethlehem. Curiously, I am finding that being on a church staff doesn’t automatically make that possible.

This has been a difficult year for Marci and me in many ways … yet also one with many blessings. I know that the shortest route to joy is the path of thanksgiving, so that’s where I must go. As I look back on the year, I see a new church and a new ministry, a new granddaughter (beautiful Layla!), a new kitchen (under rather trying circumstances but new nevertheless), new friends, new experiences (like attending junior high camp at Forest Home and watching our son do his thing),  new books in print, new  health insurance (Medicare!), and the list goes on. God is so good. The child who comes to us in the manger every year is not only our Savior, but a perfect picture of the goodness of God, the best of all his gifts to us. He is the source of our joy.

What brings you joy this Christmas?

The Dillards as the Darlin's. Mitch is 3rd from the left.

One of my bluegrass music heroes died this week and along with the sadness that I have felt, I also have felt deep gratitude. Mitch Jayne was the senior member of the Dillards, a bluegrass band from Salem, Missouri that came to California in the early sixties, landed a job on the Andy Griffith TV show and played “The Darlin’ Family” on several episodes which probably are rerun somewhere in the world every day. They also recorded two LP’s for Elektra Records, “Backporch Bluegrass” and “Live, Almost” which in my opinion are two of the most important bluegrass records ever made.

Mitch played stand-up bass with the Dillards and was the band’s emcee. He was a wonderful storyteller and stand up comedian who had a wry self-deprecating sense of humor that always had audiences in stitches. ”We’re the Dillards and we’re hillbillies. I thought I’d better tell you that in case you thought we were the Budapest String Quartet.” he would say in his Ozarky accent while puffing on his pipe. I saw the Dillards in person more than once back in the sixties at folk clubs like the Ice House in Pasadena and I always laughed until I cried. I loved the music they made, but even more I think, I loved how the Dillards entertained. They had the whole package: great musicianship, great songs and a great stage show featuring Mitch’s stories and humor. I always credit the Dillards with being the band that hooked me on bluegrass music, but it’s not because they were the first bluegrass band I ever heard. My dad had several Flatt and Scruggs records around the house when I was a kid. I got hooked on the Dillards’ brand of bluegrass because it was just so much fun.

When my  brothers and I formed our band “The Rice Kryspies” (and later, Brush Arbor) we pretended to be the Dillards and I tried to play the role of Mitch. I wanted to be Mitch in the worst way. I did my best to tell funny stories like Mitch and I even tried to pretend I was from the Ozarks too and talk with a southern accent. I didn’t even know where the Ozarks were. When I listen to early recordings of the Rice Kryspies now, it’s kind of embarrassing to hear how much of Mitch’s material I stole outright.

All that to say that I mourned Mitch’s death at age 80 this week. He had a big influence on me and I will always be grateful. Rest in peace Mitch.

One of KSON’s listeners made this sticker for his car, e-mailed it to the radio station and it was then forwarded to me.  I really don’t know this person so I’m not sure what led him to do this. He either likes my radio show … or likes guitarist Tony Rice … or maybe he just likes to eat rice while listening to bluegrass? Whatever the reason, I think it’s pretty cool.

UPDATE: I received an e-mail from the 16-year-old girl who e-mailed the photo and she explains: ”My dad listens to your show every Sunday really loud. lol. He had that sticker made at a store down the street and wanted it to be an inside joke that only fans of the show would get. “